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Process Post #9: Week of October 22

10/28/2018

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Four things, all occurring in close succession to one another, has made me realize just how doomed this project is in its current state.

One is the horrendous color palette I selected, which somehow reminds me both of Thanksgiving and Halloween at the same time (in other words, not very cohesive and definitely not my intention). Another is a general lack of water color ability, which was excusable and less noticeable in my previous project (but has now rendered this project flat and ugly). Third is my utter fear for taking any risks; I would love to emulate Richard Prince's nurse paintings, because hey, if I hate it already, why not take a risk? But there's something holding me back, maybe a fear of making it uglier or something. Hopefully I'll get over this mental block by November 7. Lastly is a lack of motivation to continue. I'm not excited to work on this project, and can only do so in thirty minute chunks before getting bored or frustrated. I just want to move on. This project is draining all my artistic zest and replacing it with a tired defeat.

I was able to accomplish exactly 2 things this week. One is finally finishing the letters, and amazing! It's uglier than it was before. I hate looking at it, but it's too late. Second is finally deciding an eye color, partly because I have to, and partly to stop looking at a creepy eyeless woman, and it's...okay. I feel extremely ambivalent about it.

I want to throw this project in the garbage.
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Process Post #8: Week of October 15

10/21/2018

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I remember drawing with Tommy as a freshman, possibly? Or maybe I was a sophomore. But anyways, the only thing I really remember from those lessons was feeling utterly frustrated. I just couldn't get it. I was too rigid and was drawing contour lines first, filling in second. I couldn't conceptually grasp the other way around, or maybe I was too stuck in my ways to truly try it Tommy's way.

This time was different. Although you can still see my previous problems of focusing too much on the contour, I think I'm getting the hang of figure drawing. I was courageous enough to try out different techniques. In the first pic, you can see how I tried extremely light guiding lines and then using defined contour, while in the second I tried using both defined guiding and contour lines. The third I tried filling in the mass with conte crayon on its side, and then going back with contour. I'm excited to work with Tommy again.
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Process Post #5: Week of October 7

10/14/2018

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I am having a crisis. Work has been slow for my home project because I can't deal with how much I don't like it. My initial excitement has completely died, and I can't bring myself to work on it for long periods of time. I've spent a lot of class and home time on it, but I can't seem to work as quick as I usually do or very effectively. The watercolor, which I thought I was getting a better grip of, is splattering and the execution of this project, despite my careful deliberation before each stroke, may be worse than my first in class project.

I'll talk to somebody on Monday, but for now this home project might as well be on a temporary hiatus. I also don't like the color pallette I chose for the letters, it reminds me of a country's flag for some reason.
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Awareness #1: Amy Cutler

10/14/2018

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Ruminate (2014) Gouache on paper 22 ⅛ x 23 in.
For my first awareness post, I decided to ​research Amy Cutler, an internationally known artist represented by the Leslie Tonkonow Gallery in New York City. Much of her work features characters wearing intricate and colorful patterned clothing inspired by clothing she has observed from around the world, such as Japanese woodblock prints, Persian miniatures, and Indonesian designs, as well as other sources such as U.S. military survival manuals, nature books, and fairy tales. Her style is characterized by linear figurative drawings, and features heavy negative space around her characters. Her work has been referred to as peculiar and surreal. A lot of her content depict the oppression of women or struggles with traditional femininity, however a lot of her work has open-ended narratives.

She has had several solo exhibitions including the Art, Design & Architecture Museum, California (2012), the Hunting Museum of Art, West Virginia (2012), and the Weatherspoon Art Museum, North Carolina (2010).

Sources: [a] [b]
Links:
  1. Gallery Website
  2. ​Lecture (42 min.)​
  3. Bomb Magazine Article
Reactions:
  1. This website houses most of Cutler's most significant work. I love the colors, the style, and the clean crisp quality to her drawings. She uses gouache, a medium I'd love to learn how to use. I like to work with clean lines and clear delineations of what is what, and to accomplish this I usually resort to outlining with ink. Cutler's work is clean without a black outline, an effect I hope I can emulate one day.​
  2. Cutler goes in detail about her thought process and inner narrative for a variety of individual works. A lot of her works originate from small, seemingly insignificant moments from her life, much of which originates from her childhood. Some of her works are from events that are pretty inconsequential, such as being introduced to a new TV show, while others were major life events, such as when her grandfather died. I want to derive more of my work from events in my life, rather than large general ideas, and Cutler has shown me that it doesn't have to be a life changing event you need to depict in order to create thought provoking art.
  3. While the lecture Cutler gave demonstrated how to effectively take inconsequential events and make good art, this article, which analyses a small sampling of her work, show that you can demonstrate separate narratives with small events in your life. Each of her pieces has characters with names and a story, which aren't derived from real life. It reminds me of Kristin Hines' work from last year; I went to her gallery opening and I really liked how each piece had her own character and their story.
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Process Post #4: Week of October 1

10/7/2018

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I didn't get to do a lot of actual art-ing this week. I did decide, after much deliberation, what color I want my background to be, and decided that I wanted to have flowers in the background. Possible a Kehinde Wiley type of background where it encapsulates the girl in the foreground.

I DID plan, a LOT. I have a really good idea for my next project. After setting my goal to have my next project to be content based, rather than "oh this would look cool" based. It's going to be my first project that's going to be deeply personal and very specific. It's exciting.
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